I am the small green pea
you are the tender pod
This gently lilting lullaby weaves its way across the pages of the book, with no more than three lines per spread, encouraging the text to be read and digested slowly. The text speaks of love and togetherness, and how people complete each other, in language that could apply as much to a parent and child as to any pairing of friends or partners.
The accompanying illustrations tell the tale of a mother, her two children and a dog, fleeing danger in a little boat, and drifting across the sea. They rescue a polar bear, also adrift, before finally finding land and a welcome. The illustrations, in watercolour with ink outlines, are tenderly whimsical, and slightly older readers will be able to make links to tales of refugees and displacement, as well as issues of global warming, among others, whilst babies and toddlers, and their parents, will be lulled by the gentle hues coupled with the tender words.
Pea Pod Lullaby, by Glenda Millard, illustrated by Stephen Michael King
Allen & Unwin, 2017
This story starts with a bell.
There’s also the slanting sun, and the hawks overhead. The rooster and the goat and the town and the mist and the church above the clouds. There’s the radio, with its message that chilled the boy to the bone.
It is April 1994. In Agabande, Rwanda, Pascal’s life is good. He has a friend called Henry who he loves to play with, a mother and father who love him. They are not wealthy, but there is food on the table and they work hard. His biggest problem is his pesky older brother, who shirks work whenever he can and plays tricks on Pascal too. But things have started to change. There is strange talk on the radio about ‘cockroaches’ and people around town are looking at each other strangely. The neighbours have left town without saying goodbye. Pascal’s parents tell him not to worry, but in one terrible night everything changes forever.
One Thousand Hills tells the story of the terrible events of 1994, where eight hundred thousand Rwandans were slaughtered in just 100 days, and many more were forced to flee the country. Told in third person from the perspective of young Pascal, but broken with interviews between Pascal and a school counsellor five years after the events, the reader is given the opportunity to witness the trauma of the events and their long term aftermath.
Pascal’s experiences – and those of the people around him – are heart-breaking, and as a child character readers are given the opportunity to see the innocence of childhood being shockingly eroded. This is an important insight into both the events of Rwanda and to the experiences which bring refuges to our shores.
One Thousand Hills, by James Roy & Noel Zihabamwe
Omnibus Books, 2016