We are the voices too often unheard, the people too often unseen. But we are here; we are speaking. And through this book, we invite you into our worlds.
Meet us at the intersections.
As the introduction to this collection reminds us, there is a startling lack of diversity in the books offered to children and teens the world over. Most importantly, stories told by diverse creators are significantly under represented in the publishing landscape, and thus in bookstores, libraries and schools. Meet Me at the Intersection aims to bridge this gap by offering an anthology written by authors who are First Nations, People of Colour, LGBTIQA+ aor who live with disability.
Included stories include memoir, contemporary fiction, historical fiction, speculative fiction and poetry and each includes a brief biography of the writer and their aims and considerations in producing their contribution to the anthology.
Edited by Rebecca Lim and Ambelin Kwaymullina and iwth contributions form a mix of established and emerging creators, including Alice Pung, Kelly Gardiner and Amra Pajalic, the collection offers a range of unique perspectives of life for readers of all backgrounds.
Meet Me at the Intersection, edited by Rebecca Lim & Ambelin Kwaymullina
Fremantle Press, 2018
Harry’s perfect life was straying way off track. he looked pleadingly at Mum. Surely she could see? Spending an entire weekend tramping around stinking-hot snake-filled scrub was a horrible mistake. But doing it without a phone? That was just brutal.
Harry is not happy. Not only has his mum moved him from his comfortable life in Sydney to live in Perth, but now she’s agreed to spend the weekend hiking in the bush with her old friend Ana, and her daughter Deepika. There are snakes, and spiders and insects in the bush – and, worst of all, no mobile phones allowed. Well, not for Harry, anyway. Mum seems to be the only one allowed to have her phone. She says it’s in case of emergencies, but Harry knows she’ll be using it every chance she gets. Out on the Bibbulmun Track, his worst fears are realised – there really are snakes and spiders. And every time they are in range, Mum has her phone out. Then, just when he starts to enjoy himself, Harry discovers that things really can go wrong out in the bush.
Off the Track highlights the Australian outdoors, and especially Western Australia’s iconic Bibbulmun Track, in a pleasing blend of adventure and self-discovery. Many young readers will relate to Harry’s dismay of being ‘forced’ to live without every day conveniences like flushing toilets, beds, and technology. Others will love the outdoors setting and the taste of hiking the story offers.
Gripping junior fiction.
Off the Track, by Cristy Burne
Fremantle Press, 2018
They haven’t seen each other for years, but here they are, falling onto the same old pattern as though there’s no other worth considering. Maybe it’s more to do with the place they’re walking through. Maybe the land has designs on them – maybe it always had – robbing them of the power to choose alternatives.
It’s been twenty years since they first walked the rail as teens, and twenty years since their friendship fell apart. Now, Samantha, Lisa and Nicole are walking the same trail, in an attempt to salvage something, even though it is clear to at least two of them what its they are trying to salvage.
That first hike was meant to be an adventure, a kind of coming of age in the wilderness, but what happened in those five days changed all of them, and severed their friendship. Will revisiting the scene of those terrible five days really mend their friendship, and will it help each woman to heal the wounds which continue to effect their lives?
The Geography of Friendship is a finely woven story. the use of three perspectives, and the shift bewteen the events of the past, the present and those in the intervening years, could become complicated, but rather makes for a pleasing complexity as the reader gets to know each woman and gradually piece together what has happened.
Absorbing and satisfying.
The Geography of Friendship, by Sally Piper
One day, Molly was walking in the forest when a Mysterious Thing rolled out from behind a fern.
And, even though she knew she shouldn’t,
Molly took it home.
Molly lives on a peaceful farm near a Mysterious Forest, which she loves to explore. When she finds a Mysterious Thing, she decides to take it home and, when it hatches and out comes a baby dinosaur, she decides to keep him as a pet, and name him Rex. But Rex grows quickly, and Molly soon realises that having a dinosaur on a farm can be a big problem.
Dogosaurus is a humorous offering, which youngsters will lvoe for its silliness. At the same time, the gentle underlying messages of conversation and ownership are valuable. Rex is a friendly looking, playful dinosaur with goggly eyes and a goofy smile so that even when he wreaks havoc, he is endearing to readers.
Great for young dinosaur fans, or anyone who needs a smile.
Dogosaurus, by Lucinda Gifford
Scholastic Australia, 2018
This guy doesn’t like to koo.
And he isn’t keen to kaa.
He’s the most serious
kooka in the borough.
Everybody knows that kookaburras love to laugh – when it’s sunny, when it’s rainy or even just for no reason. But one kooka just doesn’t like laughing. He is serious, and enjoys serious pursuits, which puts him at odds with the other kookaburras. He sets off to find a new flock, but finds it harder than he expects. All flocks, it seems, have their faults.
Kookaburras Love to Laugh is a picture book which will have youngsters (and adults, too) laughing, even when the hero of the story doesn’t. From the creators of the equally funny Koalas Eat Gum Leaves and Mopoke, this new offering has simple, humorous text and digital collage illustrations.
Lots of fun.
Kookaburras Love to Laugh , by Laura & Philip Bunting
Omnibus Books, 2018
‘Wake up, Daddy, it’s time for school.’
‘But I’m tired,’ says Daddy.
It’s morning, and a little girl has to get her faddy ready for school. But first he’s too tired to get up, then he has a rumbly tummy, and next he is missing a sock. Finally, she gets Daddy ready, with lunch packed and hair combed and ont he bus to school.
Time for School, Daddy is a funny take on the morning rush of school days, with the role reversal showing the child in control and determined to keep things on track. This use of humour helps to normalise the multiple worries and dramas which can be part of the routine, and will allow children and parents to see their own routines from a different angle. Colourful, child-like, cartoon-style illustration on white backgrounds also offer a lovleyw at for young readers to connect.
Time for School, Daddy, by Dave Hackett
Tim takes me back to my home in Lille.
We try to find my uncles and aunts but they are all gone.
Tim says he will be my family.
When Honore walks into a camp on a military airfield, he is cold and hungry. he has been drawn into the camp by the smell of a Christmas turkey. Allowed to stay, because he has no home, soon Honore, an orphan, becomes known as Henry or Young Digger, and makes himself useful around the camp. The airmen all treat him well, but one, named Tim, takes special care of him, treating him like a son. When Henri’s family can’t be located, Tim promises to look after him. So, when the time comes for Tim to return to his home in Australia, he has to find a way to smuggle Henri on board the ship.
The Little Stowaway tells the true story of a young orphan who was befriended by Australian airmen near the end of World War 1 and who w s subsequently brought to live in Australia with his carer, Tim Tovell, and his family. The story has been simplified to key events for the picture book format and uses historical photographs alongside beautiful sepia and grey-scale illustrations.
Primary aged readers will be fascinated by this intriguing piece of Australian and French history.
The Little Stowaway, by Vicki Bennett & Tull Suwannakit
One day, Charlie found a hole.
He couldn’t believe his eyes.
A hole of his very own!
Charlie bent down, picked up the hole and popped it into his pocket.
When Charlie fins a hole, he is very excited, but he quickly discoevrs that having a hole in his pocket is a problem – and a hole in his backpack is even worse. So he sets out to find someone who needs a hole. For some people – – including the boat builder and the seamstress – a hole is very unwelcome, while others – including the donut seller – already have enough holes. Finally, after a very frustrating day, Charlie decides that the hole is worthless, and throws it away. He doesn’t see the very relieved rabbit, who has followed him all day, hope back into the hole it calls home.
The Hole Story is a humorous exploration of perspectives of usefulness and value, and could be read also as a critique of the need to ‘own’ things, particularly those things found in nature. Mostly, though, it is a whimsical, funny story which youngsters will love, with cartoon-style watercolour illustrations which are a delight to explore.
So much fun.
The Hole Story, by Kelly Canby
Fremantle Press, 2018
They were met with a view of a large garden, but unlike the welcoming front of the house, now flowers bloomed and no bumblebees buzzed. Everything was dark and drenched in shadow because of what lay to the left – a gigantic tree that loomed over the entire garden and the house itself. Immy’s breath caught in her throat and her heart began to race as her eyes slowly travelled up its thick, gnarled trunk.
When Immy and her parents travel to England for a fresh start, they desperately want to rent a country cottage with a garden. But the only house that meets their brief has a downside: a mysterious mulberry tree in its backyard. Village lore has it that the tree is responsible for the disappearance of two girls, each of whom vanished on the eve of her eleventh birthday. Although the two disappearances were almost two hundred years apart, the legend surrounding the tree is such that the whole village mistrusts the tree, and girls are kept well away. But Immy’s parents don’t believe the tales, and Immy herself feels drawn to the cottage and to the mystery of the tree, and soon the family is trying to rebuild their lives in their new home. Still, as Immy’s eleventh birthday draws close, and Immy hears and sees things that aren’t really there, she wonders if she can solve the mystery or if she, too, will fall victim to the tree.
The Mulberry Tree is an engaging, but eerie novel for younger readers, who will love th supernatural elements. The blend of creepy, frightening moments with realistic, everyday problems and warm moments is a satisfying mix, suitable for middle and primary aged readers. The English setting will also appeal, adding tot he sense of displacement felt by the protagonist and adding interest for the reader.
The Mulberry Tree, by Allison Rushby
Walker Books, 2018
There’s no room on our rock
So it’s ridiculous to say
There’s space for plenty more
Shoo! Go away!
So begins this delightful, important picture book which explains in increasingly strident, mean tones why there is no room on the rock inhabited by a group of seals for two new seals – a mother and baby – to share. Except, when the end of the book is reached, the reader is invited to read the story again, this time from back to front – and reading it this way tells a different story, one of welcome, finishing with those first two pages: ‘So it’s ridiculous to say/There’s no room on our rock. ‘
The novelty of the palindrome format and the gorgeous illustrations will draw young readers in, but the message of compassion is hopefully what will endear them to the book and look for repeated readings and to share both book and message. And, if they enjoy the unusual format, they may also enjoy Drawn Onward, which serendipitously was released in 2017 and also uses the palindrome format to change negativity into hope.
A wonderful tool in the negative climate that surrounds debates about refugees and immigration.
Room on Our Rock, by Kate & Jol Temple, and Terri Rose Banyon
Scholastic Australia, 2018