Some brothers fish in cloaks,
casting off on drizzly docks.
Some brothers climb in kilts,
hiking round the highland rocks.
The narrator of ‘My Brother is a Beast’ is a younger sister. The reader doesn’t meet her until they also meet the ‘beast’ of a brother. First we meet other brothers who do other things. This narrator idolises the brother who spends time with her, does crazy things. She’s not completely sure about his slime monster concoction, but she loves playing with him. Illustrations are both real and fantastical, and text curls around images. End-papers show the beast of a brother at play.
‘My Brother is a Beast’, a new title in a picture book series about family members. Previous titles include ‘My Sister is a Superhero’ and ‘My Nanna is a Ninja’. ‘My Brother is a Beast’ celebrates the wonderfulness of brothers They might be weird, they might be wild, but they are for loving and for playing with. Young readers may recognise characteristics of their own brothers, or be encouraged to articulate what it is that makes their own brothers wonderful. They may also be encouraged to invent a new brother who is also a beast. Recommended for early-schoolers.
My Brother is a Beast, Damon Young ill Peter Carnavas
UQP 2017 ISBN: 9781702259579
review by Claire Saxby, Children’s author and bookseller
The German planes patrolled in hunting squads. They flew fast fighting craft streaking across the sky in tight formation. The greatest of them was the Red Baron, the deadliest ace on the Front. He’d shot down twenty-one of our planes in a single month. And now we were right in his firing line.
Ace (Alex) has always been fascinated by planes, so the opportunity to work on them for the army is enough to get him to sign up for the army, even though his parents and family want him to stay home, and are against the war. Back home, his sister Maggie, is leaving school and entering the workforce, finding her voice as a young woman as she misses her brother.
1917 is the fourth title in Scholastic’s Australia’s Great War series. Set in England and the Western Front as well as home in Melbourne, the story offers one man’s experiences of the first world war, as well as tracing the opposition to the war which grew as it progressed, including the role of women including Vida Goldstein.
Both a moving, absorbing story and a useful first person insight into Australia’s involvement in World War 1.
Australia’s Great War: 1917, by Kelly Gardiner
I stared into the shark’s unblinking eye. The voices grew louder. It felt like they were calling me. I tried to understand, but the mako’s black eyes were frightening. I looked away.
The voices stopped.
Isabel (Izzy) and her mother are returning home to the place she was born – an island in Papua New Guinea. Izzy loves her home, but this time, her journey is sad. They are taking the ashes of her much-loved twin brother home to be scattered.
On the island, Izzy and her mother start to heal, but Izzy also sees that the island is changing. The environment is changing, threatened by logging and modern technologies, and the sharks no longer answer the cries of the village shark callers. The clan needs someone to take an offering deep beneath the sea in a traditional offering to the shark god. The person must be a twin from the shark-calling lineage. Lizzie is the last twin. I will take great courage to even attempt the challenge.
The Shark Caller is a gripping, moving story of bereavement and courage, combining contemporary realism with fantasy elements. The issues of grief and of family obligations are combined with broader issues of environmental change and the impact of modernisation on traditional communities and ecocultures.
Suitable from readers in upper primary and beyond.
The Shark Caller, by Dianne Wolfer
Penguin Books, 2016
It struck Henry that perhaps he was waiting for the exact right moment to be daring and brave. The exact right moment where he felt no worry at all, not one tiny flicker. But what if that moment never came?
Henry Hoobler and his family are off on holiday – but Henry would rather stay home with his Nonna. There are lots of scray things about a camping holiday at the beach – sharks, spiders, snakes and blue-ringed octopi. But the thing he is most afraid is the new bike he got for Christmas, which is strapped to the trailer. Everybody wants him to ride it – but Henry is scared he’ll fall off.
The Grand Genius Summer of Henry Hoobler is a feel-good story about what it the meaning of bravery, friendship and family. As Henry tries to summon the courage to get on his bike, he navigates a new friendship with Cassie, who lives in the holiday park, and conquers other fears, including helping his little sister find a lost pony in the middle of the night. He also observes those around him learning new things and taking on challenges of their own.
With laughter, moments of poignancy, and lots of feel-good moments, The Grand Genius Summer of Henry Hoobler is a treat.
The Grand Genius Summer of Henry Hoobler, by Lisa Shanahan
Allen & Unwin, 2017
That is my brother, Joe.
I never asked for a brother, but if I had …
I would have asked for a better one.
Sally Tinker is not impressed with her baby brother, Joe. He is messy, smelly and is always breaking things. So Sally, the world’s foremost inventor under the age of 12 (she has a trophy to prove it), has invented a Brobot. Much better than a brother, this robot can clean up messes, fix broken machines and is never sticky or smelly. But what happens when things go wrong?
Brobot is a hilarious graphic novel for younger readers. The illustrations, in grey scale, are filled with humorous detail. Sally speaks directly to readers, and the brobot also speaks, with an LCD type font, and boxes showing his internal ‘computations’. Readers will like Sally, but will probably feel more empathy for Joe in the early pages. As the novel progresses, they will see the relationship develop through the humorous turn of events as the Brobot becomes out of cotnrol.
Lots of laughs to be had.
Brobot, by James Foley
Fremantle Press, 2016
“My little sister.
What will her name be, Mummy?”
“Well, she’s not quite with us yet,” said Mum.
“But when will she have a name, Mummy?” said Francie.
“Soon,” said Mum. “Sometime soon.”
It’s a very wet day, and Francie and Mum have a long drive home from Grandma’s house. Stuck in the rain, Francie has lots of time to wonder what her new baby sister will be called and, just before the weather clears, Mum finds a name that seems just right.
Home In The Rain is a beautiful slice of life book from master picture book creator Bob Graham. While the trip is long and the rain is heavy, nothing world-changing occurs – but this makes what does happen – the choosing of a baby’s name – monumental.
Bob Graham’s portrayal of both the heavy rain storm and its effect on the traffic, people and animals, as well as of the little world inside Francie and Mum’s car, is divine. WHile this is chiefly a story about the latter, the detail of the former adds interest and humour and highlights the way life goes on around the little family. Younger children will enjoy the detail and older children will spot layers of meaning, and enjoy the use of light, colour and persepctive. Even the name chosen for the baby, Grace, is connected to the rain through a John Updike quote on the dedication page.
Home In The Rain, by Bob Graham
Walker Books, 2016
It was a young voice on the phone. Male. ‘Are you Francesca Vega?’
‘I’m Frankie. Who the hell are you?’
‘Is Juliet Vega your mum?’
‘Why are you asking?’
‘Cos I’m Xavier Green. She’s my mum too.’
Bam, crash, ka-pow. Hell of a game changer.
Frankie Vega is in trouble. She’s broken a boy’s nose and is at risk of being expelled. But that’s only the latest of her troubles, which began when her mother abandoned her when she was four. Since then Frankie has been scared and angry with just about everybody. So when a kid turns up claiming to be her brother, Frankie is wary of being hurt. Then, when Xavier goes missing, she isn’t sure whether he’s let her down or whether he is actually lost. It seems no one else but Frankie cares where he has gone.
Frankie is a moving and absorbing contemporary novel. Frankie is a sassy yet inwardly fragile character whose first person voice is believable and oddly endearing, even when she’s behaving badly towards the few people in her life who seem to care for her. Her story is heartbreaking but also has funny and heartwarming moments.
Dealing with issues including what constitutes family, homelessness and self-belief, Frankie is a brilliant young adult novel.
Frankie, by Shivaun Plozza
In the first few minutes of her stay in Ravenhall, she’s still able to kid herself. After all, no one is scraping tin mugs against the bars.
Prison initially seems a quitter, more subdued place than she’d expected. More like a hospital ward at eleven in the morning, but with patients who have been misdiagnosed, with galling consequences. Injustices that leave them pondering gloomily, nursing their outrage.
Almost two years after her daughter Aida’s disappearance, Anne Baxter is resigned to the fact that she is going to be arrested for her murder. Aida’s body has never been found, but nobody can understand why Anne would have taken her autistic daughter bushwalking on Wilsons Promontory, or how she could have lost sight of her. Unable to prove her innocence, Anne waits, in limbo, as the media stalks her, her neighbours shun her and complete strangers attack her.
The Light on the Water is a masterful exploration of loss in various forms – not only has Anne lost her daughter, but the disappearance came in the wake of the collapse of her marriage. She has also lost sight of who was and of any sense of normalcy in her life. At times it seems that the obstacles preventing her recovery are too high – her barrister ex-husband seems unsupportive, her remaining daughter seems self-absorbed, and her sister and mother are terrible. Most of her friends have drifted away, and with no real leads as to what happened to Aida, the circumstantial evidence mounts. Yet Anne finds ways to keep going, to keep functioning, even managing to find new friends and allies in unlikely places.
At times really troubling, The Light on the Water is nonetheless absorbing and deeply satisfying.
The Light on the Water, by Olga Lorenzo
Allen & Unwin, 2016
Hattie watched as Mama’s breath went
in and out, in and out. She looked just like a little girl.
Poor Mama must be very tires.
I know! thought Hattie. I will help out.
It’s Dad’s birthday and Mum is getting everything ready for the party – with help from Hattie. But when Mum says it’s time for Hattie’s nap, Hattie isn’t keen. She convinces Mum to lie down with her and she doesn’t fall asleep – but Mum does. So Hattie decides that it’s up to her to help out and get everything ready for the party.
Hattie Helps Out is a gently funny story about growing up, being helpful and families. When Hattie tries to help, not everything goes the way it should – she sticks the biscuits together with stickytape (instead of icing), puts flowers in odd places all around the house and hides the mess wherever she can manage. But she does it with love – and that is how it is received by the extended family when they arrive, and Mum when she wakes up.
The water colour and pencil illustrations by Freya Blackwood bring the family to life, with the rough outlines giving a gentle quality.
Hattie Helps Out will make adult and child readers alike smile.
Hattie Helps Out, by Jane Godwin & Davina Bell, illustrated by Freya Blackwood
Allen & Unwin, 2016
Claude was a large elephant.
Finlay was a small one.
Claude is so large that he can make the earth shake with his trumpets, shower a whole herd of elephants, and stomp like thunder. Finlay is little and can’t do any of those things. He can’t wait to be as a big as Claude. But when they become separated Finlay has a special adventure all of his own. When they are reunited, Claude tells Finlay that one day he will be big, too. But in the meantime there is no hurry to grow up.
As Big as You is a breathtaking book. The story is really heart warming and the message is a good one, but it is the visual feast offered by the illustrations and design of the book which make it really magic. With the spine at the top rather than the side, each spread is long (portrait rather than the usual landscape orientation), which enables Claude’s size and the vastness of the landscape to be emphasised. On the opening spread, Claude is so big that very little of him fits onto the spread – one leg, one ear, one eye and a trunk frame the page, with the void in the middle bearing the single sentence ‘Claude was a LARGE elephant.’ The next spread introduces Final, and has him at the bottom of the spread, eye to eye with two beetles, and the spread above him largely empty apart from three butterflies. The cleverness of this beginning is carried through the book with simple yet beautiful watercolour illustrations and attention to text layout.
This is a beautiful book.
As Big as You, by Sara Acton